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Destroying networks is only one of the aims. At this early stage IMPACT’s other objectives are to build public and government awareness as well as cooperation between stakeholders and national enforcement agencies. Transnational cooperation is essential to tackle sophisticated, transnational criminal networks involved in counterfeiting, Plançon says.
Developing countries are an obvious target for counterfeiters, because the cost of legitimate drugs may be beyond the reach of much of the population and legal controls are often weak, analysts say.
Some of Adam’s friends here that don’t know me might ask, “Who are you? What gives you the right to make an album about our boy?” Let me try to answer that now. Those who know me from way back know my parents steered me toward a career in medicine, but I remember discovering Big Daddy Kane’s Long Live the Kane in ’88 and getting instantly hooked on hip-hop. As a teenager, I used to intern and engineer at The Music Palace, a studio in my hometown of West Hempstead, Long Island, and eventually got up with cats like Pete Rock, Large Professor and my role model Q-Tip. I’ve been making music myself for over ten years, collaborating with Mos Def and Talib Kweli for their Black Star album and Mos himself for his debut Black on Both Sides.
Adam was one of the nicest cats you’d ever meet until he started falling in with the wrong crowd. He LOVED women, and it was a classic case of “too much of a good thing” that tragically led to his death. Adam’s story runs all throughout The Death of Adam, starting with his luck—or lack thereof—as a “nice guy” and ending with his heartbreaking demise. I know if he were here today, he’d appreciate tracks like “The Friends Zone,” about a girl needing a friend but the guy wanting more, and “The Burning Bush,” which, if you think about it, should speak for itself.
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